I目录引言...........................................................................................................................1一、《在贵州道上》：讲述者的退场与劳动者的重塑...........................................3（一）版本流变的基本脉络............................................................................3（二）知识分子“我”的淡化：从主观抒情到客观呈现............................4（三）轿夫形象的“提纯”与“升华”........................................................6（四）语言风格的规范化与地方色彩的消褪...
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